10 What Hairstyle Suits Me Men
1966. A man with a mop of assertive hair, dressed in a aciculate atramentous clothing and atramentous sunglasses, stands on an amphitheater stage. He strums a folk-inflected melody on his guitar, again launches into craggy-voiced song, the lyrics an ambiguous stream-of-consciousness.
Is it poetry? Is it age-old acumen in avant-garde form? Well, it goes like this:
“Mailboxes dribble like lampposts in the askance bearing aqueduct of the coliseum Rim job bogie teapots affectation the atmosphere tantrumO’ say can you see ’em Stuffed banknote is the angel of the laundromat”
I am not, in case “stuffed cabbage” or “rim job” didn’t accomplish it bright by now, apropos to Bob Dylan, but a arena from the 2007 accurate masterpiece Walk Hard: The Dewey Cox Story. The movie, starring John C. Reilly as Dewey Cox, is a pitch-perfect apology of the archetypal beefy music biopic that follows an artisan through decades of affliction and celebration over the advance of two hours. Produced and co-written by Judd Apatow during the aiguille of his comedic domination, what makes Walk Hard absolutely absolute is its charge to connected heavy-handed absurdity—Dewey’s agent story, for instance, involves him accidentally acid his brother in bisected with a machete and again anon accident his faculty of smell—and its account of absolutely absorbing aboriginal songs.
The best of them is “Royal Jelly,” a flawlessly cool affected Dylan song that name checks “Dairy Queen and Vaseline and Maybelline, Paul Bunyan and James Dean” and includes the abominably evocative choir “let me blow you area the Aristocratic Clabber gets made.” In the movie’s timeline, Dewey Cox, afresh appear from rehab, has an epiphany: there are “people that’s accepting injustices done to them” so “I accept to try to advice bodies with my music.” Anon after, he’s at a columnist appointment area a anchorman ventures that his new music sounds an abominable lot like Dylan’s. Dewey fires back, indignant: “Well maybe Bob Dylan sounds a lot like me! How appear cipher anytime asks Bob Dylan, Why you complete so abundant like Dewey Cox?” Again comes a deadpan cut to his performance, which reveals that he sounds absolutely like Bob Dylan.
I should say that I accept admired Bob Dylan back I was a teenager. My aboriginal concert anytime was seeing him at a bounded accessory alliance baseball stadium. I also, back aboriginal watching Walk Hard, accept had my academician absolutely incepted by this clip. Every time I apprehend Bob Dylan’s name, I don’t anticipate about annihilation in his amazing oeuvre. I don’t alike anticipate about his Victoria’s Secret commercial. I anticipate about Dewey Cox.
With the absolution of Rough and Rowdy Ways aftermost week, Dylan’s aboriginal anthology of aboriginal songs in eight years, I begin myself absent to clue bottomward and allocution to the being who had both accounting the greatest Dylan apology song of all time and aback afflicted my accord with his absolute catalogue. That would be artist Dan Bern, whose aboriginal songs accept additionally been aggressive by and compared to the man himself.
“We were aggravating to address absolutely acceptable songs that were additionally funny in the context,” Bern told me about the aggregation of songwriters who were assassin for Walk Hard. “It acquainted like the Manhattan Project, area scientists alone their assignment to go assignment on the A-bomb together.”
For Dewey’s Dylan phase, Bern alone wrote four songs over the advance of three days, aggravating to approach the Blonde on Blonde era. Two concluded up in the film: “Royal Jelly” and “Farmer Glickstein” in the closing credits. (“Red clouds on the alley appropriate / Three new debris men aloof hired.”) If the autograph was efficient, the action of how he absolutely did it was added amorphous. “It was aloof acceptance yourself to go agrarian with images and allegory and not accept to anguish about, how is this authoritative faculty in some beeline way?” Bern said. “I like to anticipate I array of got into the headspace that Dylan was in back he was writing, or at atomic a glimpse of it. It was a absolutely absolution affair to do.”
“I anticipate it starts with aloof one line. I mean, as anon as you get ‘mailboxes dribble like lampposts in the askance bearing aqueduct of the Coliseum,’ it’s like, address the abutting one!” he added. “I mean, it can be anything.”
Some of the final recording complex John C. Reilly riffing as well. Bern said Reilly spontaneously shouted “You’re a liar” at the end of the song as a nod to the abominable 1966 Dylan appearance back he responded as such to a annoyance who alleged him “Judas.” “John had abundant of a faculty of all that history,” Bern told me. “He was fun and funny, and he approached aggregate with such a seriousness, too.”
Reilly, for his part, told The Ringer in a 2019, “I begin myself accepting absolutely affecting back I was singing it. It was a absolute attestation to the actuality that it doesn’t amount what the words of a song are. If you put your spirit into it and you absolutely beggarly it, you absolutely can try to affix with an audience.”
And how does Bern feel about “Royal Jelly” now? “I’m appreciative that I had a duke in it,” he said. “I’m appreciative that Dewey Cox wrote it or sang it. I’m absolutely beholden that I got to do that, mostly.” (Bern’s claimed admired tune from the blur is “Beautiful Ride,” the carol that Dewey sings on date at a lifetime accomplishment accolade ceremony, afore dying absolutely three account later.)
Years afterwards Walk Hard came out, Bern abstruse that Dylan had some best words for him—not about “Royal Jelly” but addition Dylan-related apology of his. Aback in 1991, Bern had accounting a bluff “interview” with Dylan’s mother, for a baby annual alleged Song Talk, in which “she” appear that she had absolutely accounting all of her son’s songs. In 2015, Bern was abreast that Dylan had allegedly apparent the allotment in 1994 and wrote a letter to the annual calling him a “scurrilous little wretch with a hard-on for comedy.”
“I had to assignment through it a little bit,” Bern said. “But hey, not everybody has a blurb from that guy.”
Bern has, of course, listened to Rough and Rowdy Ways, saying, “I attending advanced to continuing to blot it, but I anticipate it’s great. I adulation the sound, it’s swampy, it’s absolute bluesy. The songs are deep. They’re all about afterlife and adoration and the angelic and the abusive all alloyed together.”
Before I afraid up, I asked Bern my best acute question: did he bethink area the name “Royal Jelly,” technically a honey bee secretion, came from? “No,” Bern replied quickly, afore venturing, “I eat aristocratic jelly, so maybe I had some aristocratic clabber on the counter?” Fair enough. As a astute man already said: “inside the three-eyed monkey aural inches of his toaster oven life.”
GQ gets to apperceive the awfully cabalistic sidekick-in-chief—with a little advice from longtime ally like Will Ferrell, Joaquin Phoenix, and Paul Thomas Anderson.
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