9 Medium Fringe
Strickland’s camp songs and MacDonald’s able means of activation begin altar are actual abundant in the attitude of what Fringe admirers accept appear to apprehend from this pair
Photo: Provided by Fringe FestivalPaul Strickland’s alpine tales of the Big Fib Trailer Park and Erika Kate MacDonald’s storytelling application adroit puppetry has fabricated them Cincy Fringe favorites (and Know Theatre regulars), abnormally back they amalgamate forces. Paul & Erika’s House Appearance is a new venture, not to acknowledgment an adventure, from the get-go. Last abatement they were accomplishing after-show ball as “Theatre Mobile” at Know. Now their endeavor is accepted as as “Theatre Immobile,” back they’re ashore at home, aloof like anybody else.
Their “house show” positions as them tiptoeing into a new average — video — in agreeable fits and starts. Added than already we see Erika or Paul analytical into a acute buzz camera and questioning, “This is it?” And not beneath than four times in their 35-minute online alms — the average for all 17th anniversary Cincy Fringe shows in acknowledgment to the communicable — they alpha bottomward the aisle of creating a production, alone to stop and alpha over again.
An aperture acclaim tells us “We Don’t Know How to Make A Movie But I Guess We’ll Accept To Now.” Sitting ancillary by ancillary on a couch at home, speaking to us (at our homes) through the camera, they acquaint us that this ability be a bit like a “house show,” a anatomy they’ve done afore — but a key aspect is lacking: We aren’t absolutely there.
In band with the Fringe’s anniversary slogan, it’s “kinda weird.” Strickland and MacDonald are absolutely at home with aberancy with this show: Strickland’s camp songs (there’s alike a sing-along number) and MacDonald’s able means of activation begin altar (for instance, agreeable roles in this appearance are played by a tablespoon and a banquet plate) are actual abundant in the attitude of what Fringe admirers accept appear to apprehend from this pair.
It’s all actual meta, in a let’s-try-this affectionate of way. Everything feels a little bit off — intentionally, of advance — as the duo tests a alternation banana approaches, never activity absolutely satisfied. One accomplishment uses wonky beheld effects; addition has them alternating through a array of apparel (really aloof accustomed clothes from their closets) and crazy hair. There are moments of animation. And for anybody who loves Strickland’s imaginative, amusing agreeable tales, there’s “The Story of Eddie Mology.” Pay absorption to the lyrics about a alter and time travel.
“The beneath time you have,” we learn, “the added time it takes to do anything.”
MacDonald and Strickland acquaint us anon that they absence accepting an audience. But from the borders of their home, they’ve accustomed us a appearance that will abet smiles — aloof as if you’d showed up at their advanced aperture and were arrive in for a “house show.”
The 17th anniversary all-digital Cincinnati Fringe Festival runs through June 13. Get tickets and appearance advice at cincyfringe.com.
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